Motionless in White – The Graveyard Shift Tour
w/ The Amity Affliction, Miss May I, and William Control
$25 Advance/ $28 Day of Show/ $50 Premier Balcony/ $600 Premier Cabanas
*Premier Cabanas (ONLY 3 AVAILABLE) include a cabana for up to 10 people, a bottle of your choice from our VIP bottle list, and up to 10 tickets for the concert.
All Ages Show, 6PM Door/ 7PM Show
Motionless in White Biography:
An industrial city situated in Northeastern Pennsylvania, you could say Scranton quietly prides itself on a tried-and-true Rust Belt blue-collar work ethic.
For their fourth full-length album and first for Roadrunner Records Graveyard Shift, Motionless In White—Chris Motionless [Vocals], Ricky Horror [Guitar], Ryan Sitkowski [Guitar], Ghost [Bass], and Vinny Mauro [Drums]—dug into the roots of their hometown’s pervasive attitude.
“We’re a band that came out of the small town blue-collar spirit,” affirms Chris. “We put ten years into growing this and working hard to do what we love the most. We look forward to putting in another ten. Both the area we come from and the fan base brought us to this point. Graveyard Shift is all about that work ethic. It’s been instilled in us. Early on, we realized if you give the time and effort to chase a dream, it’s possible to achieve it by the sheer amount of drive and passion you have.”
Since 2006, that ethos has fueled Motionless In White’s rise to the upper echelon of modern rock. Albums such as 2010’s Creatures and Infamous in 2012 would galvanize a rabid fan base around the quintet. During 2014, Reincarnate reached new heights, bowing at #9 on the Billboard Top 200 and claiming #1 on Billboard’s Top Rock Albums Chart. The title track and lead single turned into a Top 20 Active Rock smash and notched 13.2 million YouTube views and 9.8 million Spotify streams. Simultaneously, they have shared stages alongside everyone from Slipknot, Korn, and Breaking Benjamin to A Day To Remember and Marilyn Manson in addition to making arresting festival appearances at Warped Tour, Aftershock, Rock On The Range, Rock Allegiance, and beyond.
In 2016, they entered a Los Angeles studio with producer and longtime collaborator Drew Fulk [Emmure, Crown The Empire] to record what would become Graveyard Shift.
“It was all about writing bigger, better, and more refined songs,” exclaims the frontman. “On Reincarnate, we felt like we had discovered our true identity. This record wasn’t so much centered on experimentation as it was on refinement. In the past, I feel like I always placed the vocals second to music. This time, there was a focus on trying to make sure the vocals had their big moments. That was a major key in really making Graveyard Shift separate from all of the other albums. I haven’t really been able to look back at anything I would’ve done differently or something I didn’t feel like I put my whole heart into here. I just feel incredibly confident about everything on the record.”
Motionless In White introduced this latest body of work with the galloping gut punch of “570”—the area code of Scranton and something of an homage to home. In less than three months, it amassed 3.1 million Spotify streams and amplified anticipation for the full-length’s impending arrival.
“Last summer, I had the opportunity to meet with a lot of fans on Warped Tour and have some very intense, personal, and deep discussions,” recalls Chris. “I walked away from these meetings feeling energized. Whether the conversations were dark or uplifting, I was ready to approach anything in my way with how I felt afterwards. Our current single, ‘LOUD,’ is a direct result of that energy. I wanted to encourage people to feel the same way. It’s definitely one of the more powerful and inspirational messages on the album.”
Throughout its 12 tracks, Graveyard Shift weaves together various personal vignettes. From embracing one’s dark side on “Necessary Evil” [feat. Jonathan Davis] to the hypnotic and humorous ode to Danny Elfman’s influential body of work, “Not My Type (Dead As Fuck 2),” the record remains unpredictable at every turn. “Eternally Yours” signals a first for the group.
“It’s our first true love song,” Chris goes on. “There was a very poetic and romantic approach. That’s something, as a lyricist, I have been trying to explore more of within myself over the past few albums. It’s a special song for all of us.”
Scranton plays a subtle role in the overarching narrative itself. Chris can recall finding early inspiration in the city’s once fertile music scene, which slowly dissipated over the years. At the same time, he and his bandmates have transported that energy worldwide with Graveyard Shift.
“I like to think we’re taking our favorite traits of this area on the road and showing the rest of the world what Scranton created out of all that great camaraderie, those friendships, and the memories,” he says. “We all come from the same spot. It’s something I think many people all over the world can identify with. We’re not content to just sit still and let life happen. We want to show you can take the initiative, go out there, and make a difference for yourself. That rings throughout all of the songs and speaks to the true meaning of Graveyard Shift.”
Ultimately, Motionless In White have the power to electrify a new love for rock music in the process.
“We’re quite a simple band in terms of our intent,” he leaves off. “Turn off your head, detach from reality, listen to the music, and enjoy the songs. That’s what we’re encouraging. We want to give people something to latch on to away from life’s bullshit. I hope they walk away feeling their love for music was either restored or upheld.”
The Amity Affliction Biography:
This Could Be Heartbreak is available now via www.theamityaffliction.net
Deeply personal and emotionally wrenching, This Could Be Heartbreak is The Amity Affliction’s most transformative and revealing record yet. Recorded by producer and longtime collaborator Will Putney at Melbourne’s Holes and Corners with additional drum tracking done at Sing Sing Studios, the album finds The Amity Affliction evolving their signature powerful and cathartic song craft. Both ambitious and grand, album standouts “This Could Be Heartbreak” and “All Fucked Up” are equal parts heavy and hopeful, fueled by frontman Joel Birch’s desperation which achieves extraordinary transcendence through radical honesty and absolute power.
This Could Be Heartbreak follows The Amity Affliction’s ARIA platinum-certified #1 album, Let The Ocean Take Me, which proved an to be an international breakthrough for the group. Let The Ocean Take Me marked The Amity Affliction’s second consecutive time topping the ARIA Album Chart following 2012’s gold-certified Chasing Ghosts. More recently, the band released Seems Like Forever, the #1 ARIA gold-certified documentary chronicling The Amity Affliction’s history up through their epic “Let The Ocean Take Me World Tour,” which saw the band performing in front of capacity crowds around the globe, including sold-out shows at New York City’s Irving Plaza and London’s KOKO. Furthermore, the band’s most recent single, “Shine On” came in at #25 on Triple J’s “Hottest 100” of 2016. For more than a decade, The Amity Affliction has confronted the very darkest edges of man’s existence through their music and with Severed Ties, 2008’s full-length debut, and 2010’s ARIA gold-certified follow-up, Youngbloods, The Amity Affliction instantly established themselves as leading force in the heavy music world.
Miss May I Biography: